"" Developed by packing the technology cultivated over many yearsKIZAMU LYT"Is a carving board that represents head.Stiff flex setting & hybrid camber & 1.5cm setback design realizes the best carving on piste.If you use the insert hole set on the inside of the front leg, you can handle big mountain grade powder.We talked to Junta Akakawa and Runa Suzuki about this high-end board, which can handle all situations and has high stability and control performance in the high speed range.
Just knock down your body
You can carve easily
Edge does not shift
The element I want from a cruising board is a sense of stability at high speeds.Therefore, I like a board with high response and strong flex. "KIZAMU LYT"Is a stiff flex, and the edges do not shift at any speed.Even in the latter half of the turn, you can make a sharp turn without shifting, and there is a sense of stability, so it feels really good to be slipping.I also like the fact that you can make sharper turns than you think.You can easily carve just by tilting your body, and if you endure edging in the latter half of the turn, the board will repel and accelerate.It's nice that the board is light.For advanced carving, it is recommended to ride a longer size, and for intermediate users, it is recommended to ride a standardized short turtle. I would like you to enjoy the fun of "carving just by tilting your body". [Hayata Akakawa]
In any situation
Very easy to handle
Sharp and fun!
"KIZAMU LYTThe response is fast and light, but there is a sense of stability and you can step on it to your heart's content.I like a board that is quick to respond and has a sense of stability that can handle rough terrain, and this is exactly what this model is.It's very easy to handle in any situation, sharp and fun.It's a board with a different feeling from the lace board that I usually use, so it seems that I can enjoy it while playing in various places in the snowy mountains.Of course, it is comfortable to use by advanced users, but it is also very light, so it is recommended for those who are new to carving and do not have the leg strength to handle heavy boards. [Runa Suzuki]
